Repatriation

Song Hwan

Colour, 35 mm
Korea, 2003, 149 min
Section: Documentary Competition

Director: Kim Dong-won
Screenplay: Kim Dong-won
Dir. of Photography: Kim Tai-il, Jung Chang-young, Chang Young-kil, Oh Jung-hoon, Moon Jung-huyn
Music: Kim Dong-bum, Lee Ji-eun
Designer: Lee Hee-yong
Editor: Kim Dong-won
Producer: Kim Dong-won
Production: P.U.R.N. Production
Sales: Indiestory Inc.
  
Cast: Cho Chang-son, Kim Suk-hyung, Kim Sun-myung

Synopsis

In 1992 Kim Dong-won met two former political prisoners from North Korea who had been sentenced to thirty years as a result of espionage convictions in the south. “When I met them, I was both curious and afraid. When i began filming them I didn’t imagine I was making a film for the public,” the director confides. Fascinated by their remarkable lives, he spent a decade filming these still-devoted Communists in their endeavour to return home and to their lives. At the end of the nineties, relations between the DPRK and South Korea improved just enough to enable 60 prisoners, who had long refused to disavow their political convictions, to be released. How were these men able to survive thirty years of systematic torture? And how have they gotten along since regaining their freedom? This highly personal documentary fresco looks into these questions and many more besides.

About the director

Kim Dong-won graduated from Sogang University in mass communications. In the eighties he worked as an assistant director on commercial film projects, then switched over to documentaries at the end of the decade. Sangye-dong Olympics (1988) was screened at the Berlinale and at the Yamagata IDFF in Japan, as were the documentaries Standing on the Edge of Death (1990) and The 6 Day Struggle at Myong-Dong Cathedral (1997). Kim Dong-won was chairman of the Association of Korean Independent Filmmakers. He lectures at Korea’s National University of Arts. 
 

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