Tony Takitani

Tony Takitani

Colour, 35 mm
Japan, 2004, 75 min
Section: Horizons

Director: Jun Ichikawa
Screenplay: Jun Ichikawa
Dir. of Photography: Taishi Hirokawa
Music: Ryuichi Sakamoto
Editor: Sanjyo Tomoo
Producer: Ishida Motoki
Production: Wilco Co. Ltd.
Sales: Celluloid Dreams
  
Cast: Ogata Issey, Rie Miyazawa, Takahumi Shinohara, Hidetoshi Nishijima

Synopsis

Since he was a kid, Tony Takitani has had trouble because of his "American" name, given to him by his jazz trombonist father. As a result, the boy’s childhood taught him something about solitude. Now a grown man, he lives decently as a technical illustrator. He falls in love with Eiko and they marry. His wife has one overriding passion: she loves designer clothes. But an expensive hobby soon turns into an obsession.... Screenwriter and director Jun Ichikawa has shot an unusually pure minimalist film based on the novel of the same name by Haruki Murakami. He demonstrates that film is a complementary art, combining literature, image and music. In slow, perfectly composed shots, accompanied by the sparse music of Ryuichi Sakamoto, he tells an emotive story which follows the strange and withdrawn life of an isolated man from childhood to maturity. The narrator’s role here is substantial. An interesting note: acclaimed lead actors take on double roles:  Issey Ogata plays Tony and his father, Rie Miyazawa plays Eiko and her look-alike Hisako.

About the director

Jun Ichikawa (b. 1948, Tokyo) graduated in fine art. He got his start at an ad agency and later moved on to successfully directing commercials. In 1985-87 he earned awards at the prestigious Cannes International Advertising Festival. He debuted in features in 1978 with the film Bu su. Since then he has made 16 movies, of which the most highly honoured are Tokyo Lullaby (Tokyo yakyoku, 1997, Best Director ex aequo at the 1997 Montreal IFF), The Tokyo Siblings (Tokyo kyodai, 1995, FIPRESCI Prize at the 1995 Berlinale) and Tony Takitani (2004, Special Jury Prize and the FIPRESCI Prize at the 2004 Locarno IFF). His work is clearly inspired by that of the masterful Yasujiro Ozu but differs in key ways which even allow for naturalism. Selected filmography: the drama Tugumi (1990), the meditation on death entitled Dying at a Hospital (Byoin de shinu to iu koto, 1993) and Zawa-zawa Shimokita-sawa (2000), which was awarded in his native country.

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