Karlovy Vary International Film Festival 

July 2 - 10, 2010



 

The Wild Bunch - The Original Director´s Cut
( The Wild Bunch - The Original Director´s Cut )

  • Colour, 35 mm
  • USA, 1969, 134 min
  • Section: Tribute to Sam Peckinpah
  • Director: Sam Peckinpah
  • Screenplay: Walon Green, Sam Peckinpah
  • Dir. of Photography: Lucien Ballard
  • Music: Jerry Fielding
  • Designer: Edward Carrere
  • Editor: Lou Lombardo
  • Producer: Phil Feldman
  • Production: Warner Bros
  • Sales: Hollywood Classics (rights)
  • Contact: Warner Bros (print)

Cast

William Holden, Ernest Borgnine, Robert Ryan, Edmond O`Brien, Warren Oates, Jaime Sánchez, Ben Johnson, Emilio Fernández, Strother Martin, L. Q. Jones

Synopsis

The Wild Bunch: An Album in Montage

A Simple Adventure Story: Sam Peckinpah, Mexico and
It’s 1913 and while insurrection rocks neighbouring Mexico, a gang of bandits lead by Pike Bishop rob a bank in the small town of Starbuck. It soon emerges that the outlaws have fallen into a trap set by bounty hunters hired by the railroad. After a bloody shootout the chase is on. They flee to Mexico with Bishop’s former pal Deke Thornton and company in hot pursuit; there they are hired by bloodthirsty General Mapache to steal American weapons. But Angelo, a Mexican member of Bishop’s gang, convinces them to turn over part of the shipment to the rebel army. The truth comes out and the furious General has Angelo tortured. The increasing tension between the band and Mapache’s soldiers climaxes in a massacre, a suicide mission initiated by four desperadoes as vengeance for Angelo’s humiliating death. “If you can’t find the humanity even in your villains, you’re not doing your job as a storyteller, you’re making things too easy for yourself and your audience,” Peckinpah once claimed. His most famous film helped change the western genre but until 1995 it survived only in the producers’ shortened version. A gripping portrayal of the last days of the Wild West told through the story of four outlaws who, to avenge a friend, stand alone against over 200 Mexican soldiers. The film definitively pushed the traditional western aside to make way for one with deeper psychology, darker tones and very open violence, similar to the work of Peckinpah’s predecessor, Anthony Mann.


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