Karlovy Vary International Film Festival 

July 2 - 10, 2010



 

The Letter
( The Letter )

  • Black and white, 35 mm
  • USA, 1940, 95 min
  • Section: Tribute to William Wyler
  • Director: William Wyler
  • Screenplay: Howard Koch podle divadelní hry / based on a play by W. Somerset Maugham
  • Dir. of Photography: Tony Gaudio
  • Music: Max Steiner
  • Designer: Carl Jules Weyl
  • Editor: George Amy, Warren Low
  • Producer: Hal B. Wallis
  • Production: Warner Bros.
  • Sales: Hollywood Classics (rights)
  • Contact: British Film Institute

Cast

Bette Davis, Herbert Marshall, James Stephenson, Frieda Inescort, Bruce Lester

Synopsis

The Letter

The Letter
“After Jezebel, I would have jumped into the Hudson River if he had told me to. That’s how much belief I had in his judgment as a director,” declared Bette Davis after first working with William Wyler. The opportunity to make another film together, this time based on a play by William Somerset Maugham, came in 1940. A cold and calculating woman, the wife of a rubber tree plantation owner, who murders her secret lover in a rush of injured pride, tries to escape the consequences of her crime by deliberately relying on colonial-world conventions. Her attempt at impunity, however, is jeopardised by a single piece of compromising evidence – a letter to the victim. Using a crime-plot blueprint, Wyler gives play to themes that society had not yet opened up to: adultery, the hidden emotional life of a married woman, domination and subordination in relationships, the position of women in a male society, inner temperament hidden behind a facade of conventionality and snobbery, and the racial hypocrisy of colonial society. Not even in the case of this film, however, did the director avoid censorship: as opposed to the literary original, where the heroine’s punishment is “merely” her mental anguish, the cinematic version had to make a clearer formulation. In addition to its popularity among moviegoers, the film also received seven Oscar nominations and was made famous by one scene in particular. Wyler was able to get such a rarity out of the opening, very suggestive, scene, in which the murder plays out amid an impeccable setting, atmosphere, and plot line in which the protagonist’s character is precisely defined.


Main navigation


Logginig-in

Logginig-in

New registration

Send password

KV IFF Partners


Photo Gallery

Play video

Hot tips

Call for Entries

The application deadline for the 45th Karlovy Vary IFF is April 2, 2010 ...


Facebook

Festival has the fan page ...

Newsletters

Are you planning to attend the Karlovy Vary IFF? Do not miss any news at our website ...


© 2009 Film Servis Festival Karlovy Vary, a.s. All rights reserved
Tel: +420 221 411 011, Fax: +420 221 411 033
E-mail: festival@kviff.com

RSS