Films ordered by  english title

H
  • 5K6 4/7 20:00 Drahomíra Cinema
    612 5/7 11:30 Grand Hall
    7C4 6/7 15:30 Čas Cinema
    939 8/7 22:00 Congress Hall
    Happy End Happy End
    Directed by: Michael Haneke
    France / Germany / Austria, 2017, 107min.
    Section: Horizons

    In his new film screened in competition at Cannes, two-time Palme d’Or winner Michael Haneke returns to his regular focus on family, and even revisits two characters from his previous main screen offering Amour. While the earlier movie examines the bond between an elderly couple, viewers of Happy End observe the disintegration of a traditional middle-class family against the backdrop of the current refugee crisis.

  • 2K6 1/7 20:00 Drahomíra Cinema
    4C1 3/7 09:30 Čas Cinema
    7H3 6/7 13:30 Husovka Theatre
    Have You Seen My Movie? Have You Seen My Movie?
    Directed by: Paul Anton Smith
    United Kingdom, 2016, 136min.
    Section: Imagina

    This fascinating and original compilation picture is a true delicacy for film gourmets. The debuting director brings together clips from more than 1,000 scenes that take place inside a movie theater, thereby creating an original tribute to the seventh muse.

  • 1N4 30/6 16:00 Národní dům Cinema
    5L1 4/7 10:30 Lazne III Cinema
    9L2 8/7 13:30 Lazne III Cinema
    Heal the Living Réparer les vivants
    Directed by: Katell Quillévéré
    France / Belgium, 2016, 104min.
    Section: Variety Critics’ Choice

    What sounds like a routine episode of “ER” is complicated with rare depths of personal and sensual detail in French director Katell Quillévéré’s sublimely compassionate, heart-crushing heart-transplant ensemble, which boasts beautifully pitched performances from Tahar Rahim and Emmanuelle Seigner.

  • 1L5 30/6 22:30 Lazne III Cinema
    4H6 3/7 22:30 Husovka Theatre
    7N6 6/7 22:00 Národní dům Cinema
    Hounds of Love Hounds of Love
    Directed by: Ben Young
    Australia, 2016, 108min.
    Section: Variety Critics’ Choice

    An outwardly normal suburban couple who abduct, torture and murder schoolgirls must face their funny games in this genre-bending Australian thriller. Brave audiences will be rewarded, if that’s the word, with a harrowing ride that morphs from sharp horror to probing character study and back again.

  • 256 1/7 20:00 Cinema B
    5C3 4/7 12:30 Čas Cinema
    8H6 7/7 22:30 Husovka Theatre
    This film will be screened with films: Black Cake, The End
    How Close to It I Am Jak blízko tomu jsem
    Directed by: Václav Hrzina
    Czech Republic, 2016, 34min.
    Section: Czech Films 2016–2017

    Work, friends, home. What constitutes mind-numbing routine for some people is, for 26-year-old Petr, an opportunity to contemplate the everyday life around him. In Václav Hrzina’s film this young man will perhaps never say what he really wants but, occasionally, in the silence, you can hear what he’s thinking.

  • 239 1/7 22:00 Congress Hall
    457 3/7 22:30 Cinema B
    611 5/7 09:00 Grand Hall
    937 8/7 19:00 Congress Hall
    How to Talk to Girls at Parties How to Talk to Girls at Parties
    Directed by: John Cameron Mitchell
    United Kingdom / USA, 2017, 103min.
    Section: Horizons

    Punk devotee Enn would love to find a girl. And maybe he has after meeting the ethereal Zan (Elle Fanning), who considers punk to be “from another colony,” which isn’t the only indication that the pair hail from different planets... Based on the story of the same name by Neil Gaiman, John Cameron Mitchell’s intergalactic fusion of romcom and musical even sees Nicole Kidman passing as a rebel.

  • 7P3 6/7 16:00 Pupp Cinema
    8L2 7/7 13:30 Lazne III Cinema
    How Viktor “the Garlic” Took Alexey “the Stud” to the Nursing Home Kak Vitka Chesnok vez Lecha Shtyrya v dom invalidov
    Directed by: Alexander Hant
    Russia, 2017, 90min.
    Section: East of the West - Competition

    This inventive road movie about a son and father finding their way to one another has none of the sentiment normally associated with this kind of subject matter. The film introduces an ensemble of wild characters from the lowest social strata, viewed through a lens that finds a balance between the work’s profoundly human dimension and its stylishly ironic commentary on contemporary society.

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