The inimitable Canadian director has once again dusted off the camera and, with the assistance of the friends who helped him realize his vision for The Forbidden Room (2015), turned out an anarchistically splintered and ever-shifting psychedelic essay, originally intended as a straight documentary from the making of the war film Hyena Road in Jordan. Instead, this provocative mix of footage from the shoot and their own wildly staged ideas becomes an engaging discussion on the portrayal of war in Hollywood, as well as a general consideration of war conflicts, their perception and consumption in terms of Western civilization.