Archive of films Romance for the Bugle / Romance pro křídlovku
1966, 86 min
Section: Seven Close Encounters
Jan Hřebejk presents
The wistful call of the bugle rises above this lyrical story of first love, which takes hold over the course of a summer and ends with the death of the hero’s grandfather. A sense of anguish marks the boy's coming of age, a formative experience that viewers share as they are swept along by the force of Vávra’s poetic style.
“Romance for the Bugle is a world-class film which isn’t familiar to world audiences. I was born in 1967, when it received its premiere. It was made by Otakar Vávra, a mature director surrounded by young colleagues (cinematographer Andrej Barla and costume designer Ester Krumbachová), and it was certainly a match for the best works produced by his pupils – adherents of the Czechoslovak New Wave. It’s pure poetry in a like-minded adaptation of the epic poem by František Hrubín. When I saw the film for the first time, I decided to become a filmmaker.” – Jan Hřebejk. It’s something of a miracle to take black-and-white film and use it to create the warm colours and fragrances of summer – this is the season when young Vojta encounters both love and death in the same moment, both experiences marking him for life. A carefully chosen cast, a language of allusions akin to poetic metaphors, the sun beating down, balmy nights, an exhilarating ride on a swing carousel, and also moments spent in the cottage with grampa, who has his own persistent anxieties – all these are woven into the fabric of a story whose message continues to run deep.
About the director
Otakar Vávra (1911–2011), director and teacher, a legend of Czech film, whose extensive oeuvre spread across five decades. He made a major impact with two features from 1937 (History of Philosophy and Virginity). These works already showed the characteristic traits of what was to come – a preference for high-grade literary models, well-constructed screenplays, a perfectionist’s approach to directing, and collaboration with leading names, often stage actors. He was chiefly disposed towards realistic dramas treating psychological and historical themes, and his films often conveyed his socio-critical and political awareness (Presentiment, Golden Queen, his Hussite trilogy, Witches’ Hammer, The Liberation of Prague). Vávra played a major role in film education, establishing a new concept for FAMU, where he taught a number of principal figures of the New Wave.
About the film
Black & white, 35 mm
|Section:||Seven Close Encounters|
|Screenplay:||František Hrubín, Otakar Vávra|
|Dir. of Photography:||Andrej Barla|
|Art Director:||Karel Škvor, Ester Krumbachová|
|Production:||Filmové studio Barrandov|
|Cast:||Jaromír Hanzlík, Július Vašek, Zuzana Cigánová, Štefan Kvietik, Miriam Kantorková, Janusz Strachocki|
|Sales:||National Film Archive|