Gustav is an agent for the Estonian secret service who closely guards his solitary existence, but he’s also a former alcoholic and now sits in the local bar cradling a nonalcoholic beer. One evening he reluctantly makes the acquaintance of poet Miku and an enigmatic gypsy woman who, as Gustav discovers through Miku, turns out to be a decoy for Russian intelligence. Given the task of obtaining information on an opponent’s plans, Gustav is told to get close to the beautiful girl but the situation gets rather out of hand. This stylistically sophisticated black comedy thriller with its well-paced suspense is the second film from Toomas Hussar, whose debut Mushrooming (2012) also competed at Karlovy Vary in the East of the West Competiton. Here, too, we are immersed in a world of idiosyncratic heroes, although their past lives and motivations remain something of a mystery. In contrast, we are witnesses to their sudden, radical transformation in unforeseen circumstances, which serves as a sarcastic reflection on the confused identity of contemporary Estonia.