Tokyo, Japan at the beginning of the 21st century. Amplify music festival. We watch a quartet of Japanese guitarists as they sit holding their instruments almost without movement, playing only a handful of isolated tones. Singer Ami Yoshida uses her vocal cords as if she didn’t know what they were for and is only now trying to figure it out. Other musicians from Japan, Austria, and the United Kingdom perform subtle, unusually generated music. The show is rounded out with digital electronics, aging instruments, and classical guitars. Today, the creative scene featured in the film is at the forefront of new music. It seems an apt and topical diagnosis of today’s society. The music, emphasizing silence, noise, and audio details, reacts against the deluge of sensory impulses and the degradation of values found in the irrepressible music of the various media. It evaluates and relativises technological progress, projects human characteristics onto the operation of machines and vice versa. Balance Beams is a unique opportunity to get to know this currently highly-prized scene. The music is truly new, yet still offers a link to ambient, post-modern classical à la Cage, eastern traditional of “a different pace,” and alternative club music. Conversations with musicians ease the viewer into the mood of the film.