Archive of films Love Crimes of Gillian Guess / The Love Crimes of Gillian Guess

A colourfully assembled mosaic demonstrating that the life of a walking Barbie doll needn’t be all roses. Inspired heavily by pop culture, in the director’s words the film is “an entertaining and mysterious spectacle, a cross between a musical and a surrealistic collage.”


Synopsis

Images of a mixed-bag of aesthetic qualities alternate on-screen – comic book animation, kitschily arranged nooks of Hollywood romance, the alienatingly mocked-up décor of diverse environments, scenes that look like authentic footage.... On top of that, there are exaggerated colours and breakneck turnarounds in the plot. One could describe the narrative style, oscillating between melodrama, musical, quasi-documentary, and a tale of biting irony, as a flamboyantly assembled picture book featuring the upheavals of a voluptuous blonde. The director uncovers the drama of heroine Gillian Guess gradually, and the starting point for his expeditions to various time planes is the bizarre and bombastically tasteless sets at the TV station where Gillian uninhibitedly participates in some kind of porno talk show. The film is dominated by an ostensibly rather simplifying psychoanalytic formula leading to the discovery that Gillian’s provocativeness and her brazen obscenities are only a reaction
to wounds suffered in the past.

About the director

Bruce McDonald

Bruce McDonald (b. 1959, Kingston, Ontario) grew up and studied in Toronto. He has made short dramatic, documentary and experimental films since the beginning of the eighties; the first of these efforts, about young creators of film and graffiti, won an award for best Canadian student film. In 1989 he debuted in features with Roadkill, and his other work includes a project following a punk band on a tour of western Canada, Hard Core Logo (1996, screened in the Forum of Independents section at the 1997 KV IFF). The Love Crimes of Gillian Guess (2004), starring singer Phil Collins’ daughter, is the director’s fifth feature. Other works: Highway 61 (1991), Dance Me Outside (1994, screened at the KV IFF in 1995), Picture Claire (2001). Chance meetings play a significant role in McDonald’s films, and he likes to combine dramatic tension with a psychological interest in his characters.


Contacts

Telefilm Canada
360, rue Saint-Jacques, Suite 600, H2Y 1P5, Montreal, Quebec
Canada
Tel: +1 514 283 636 3
Fax: +1 514 283 236 5
E-mail: [email protected]
www: www.telefilm.gc.ca

Force Four Entertainment
202-221 East 10th Ave, V5T 4V1, Vancouver
Canada
Tel: +1 604 669 4424
Fax: +1 604 669 4535
E-mail: [email protected]
www: www.forcefour.com

About the film

Color, 35 mm

Section: Focus on Canadian Film: Beginning of the 3rd Millennium
   
Director: Bruce McDonald
Screenplay: Angus Fraser
Dir. of Photography: Danny Nowak
Music: Broken Social Scene
Editor: Karen Porter
Producer: Hugh Beard, Debra Beard, John Ritchie, Rob Bromley
Production: Force Four Entertainment
Cast: Joely Collins, Hugh Dillon, Ben Bass, Jessica Amlee
Contact: Telefilm Canada, Force Four Entertainment
   
www: www.forcefour.com

Guests

Brigitte Hubmann

Film Institution Rep.

Bruce McDonald

Film Director, Film Director


Joely Collins

Actor

Jean Claude Mahé

Film Institution Rep.


YouTube

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