Archive of films Conversation / The Conversation

USA
1974, 106 min

Section: New Hollywood
Year: 2007

The carefully guarded private life of professional wiretapper Harry Caul is turned upside-down by a conversation he tapes for an influential client under very difficult conditions. From the inexplicit snatches of conversation between two lovers, Harry puts together an exciting tale that causes him to step outside the secure role of the disinterested listener. This brilliant and artfully narrated drama by Francis Ford Coppola is an original take on Michelangelo Antonioni’s 1966 movie Blowup.


Synopsis

Harry Caul is a renowned wiretapping specialist who carefully guards his privacy. He does not however do anything to stop a certain conversation he managed to tape for an important client under particularly difficult conditions from reaching his own ears. From the inexplicit snatches of dialogue between a man and a woman meeting for lunch in a San Francisco park, Harry puts together, piece by piece, a story of secret love pursued by murderous marital jealousy. The neutral listener becomes an engaged participant, while failing to think about the risk it brings or the possibility that everything might just be different than he assumes. How long will he be able to keep up the illusion that his own life is safe from manipulation? This artfully constructed and technically brilliant take on Michelangelo Antonioni’s Blowup (1966) ushered in a wave of critical films on moral corruption and the impossibility of getting at the truth, and almost symbolically paralleled the Watergate wiretapping scandal. The movie garnered a number of awards, including Palme d’Or at the Cannes Film Festival.

About the director

Francis Ford Coppola

Francis Ford Coppola (b. 1939, Detroit) has, for decades, personified the energy of the new creative generation. As a producer, screenwriter, and director he paved his career with dazzling successes and flops. He started out as a protégé of Roger Corman and a valued screenwriter, having won an Oscar for the drama Patton, directed by Franklin J. Schaffner (1970). The “minor” personal films he made such as The Rain People (1969), The Conversation (1974), Rumble Fish (1983) or The Rainmaker (1997) balanced out from time to time his more ambitious and costly projects, the prototype of which was the Vietnam war drama Apocalypse Now (1979). While it was the Godfather mafia trilogy that brought him fame (The Godfather, 1972, The Godfather: Part II, 1974, The Godfather: Part III, 1990), his colourful record of working with genre and with bold experimentation is also confirmed by the musical The Cotton Club (1984) or the horror film Bram Stoker’s Dracula (1992).

Contacts

Národní filmový archiv
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Czech Republic
E-mail: [email protected]
www: www.nfa.cz

Connaissance du cinéma
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France
Tel: +33 1 435 901 01
Fax: +33 1 435 964 41
E-mail: [email protected]

About the film

Color, 35 mm

Section: New Hollywood
   
Director: Francis Ford Coppola
Screenplay: Francis Ford Coppola
Dir. of Photography: Bill Butler
Music: David Shire
Editor: Walter Murch, Richard Chew
Producer: Francis Ford Coppola, Fred Roos
Production: American Zoetrope, Paramount Pictures
Cast: Gene Hackman, John Cazale, Allen Garfield, Frederic Forrest, Cindy Williams, Harrison Ford
Contact: Národní filmový archiv, Connaissance du cinéma

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