Herdsman Abraham’s wife has just passed away, and northern Ethiopia, where he lives, is plagued by drought. So he decides to go off to the city in search of work, leaving behind his nine-year-old son (and the boy’s much loved sheep) to stay with relatives in the country. Even though their house stands amongst lush green hills, Ephraim finds it difficult to get used to the new environment, and his aptitude for working the fields is sorely lacking. On the other hand, he discovers he has a talent for cooking and starts selling his wares in the small town nearby. Despite a spot of bother with the local boys and with his bad-tempered uncle, things wouldn’t look so bad if it weren’t for an approaching religious feast that threatens the existence of his ovine pet. When put to the test, Ephraim is willing to do anything to save the animal. This debut, screened at Cannes this year, sees Yared Zeleke presenting a detailed portrayal of an Ethiopian village, with its customs and patriarchal position of women. Cast with local inhabitants who behave entirely naturally in front of the camera, the picture’s true charm lies in its strong visuals.