In the history of cinema, there have been many tributes to the Lumière brothers’ Workers Leaving the Factory (1895), but few of them have been as original as In, Over and Out. The inventive synthesis of 12 cameras from different technical periods – celluloid, analog video, and digital – captures the comings and goings through the staff entrance to the prestigious Le Fresnoy art school. Working off the principles of structural cinema, the film offers a fascinating trip through the space of the shot and across time materialized in a variety of motion picture cameras.