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Film Archive

Long Weekend

Midnight Screenings: Ozploitation! 2010 / Long Weekend / Australia 1978

During a trip to the outback, a married couple undergoes a marital crisis, but also experiences bizarre events in which nature seems to be paying them back in kind for every bit of littered trash. Unfolding at a leisurely pace and devoid of cheap thrills, this classic horror flick builds upon fear of the unseen and the gradual loss of certainty.

Long Weekend Long Weekend

Synopsis

This classic horror film with environmental elements tips the odds toward nature in its conflict with humans. A young married couple sets out for an extended weekend in the outback, but the trip is marked by increasing marital tension. While the man experiences fantasies of conquering the virgin countryside by cutting down trees and shooting animals, the woman longs to return to civilization. Nature begins to respond to their self- centeredness with bizarre incidents in which it seems that plants and animals willfully attack them. The tense situation leads to the couple’s definitive breakup, with marital disputes and recent traumatic events rising to the surface. The film, devoid of modern, superficial thrills and spills, gradually allows fear of the unseen and the intangible to enter the married couple’s life. Harrowing sounds and hallucinatory images push the characters toward losing not only the certainties inherent in civilization but also their minds.

About the film

95 min / Color, 35 mm

Director Colin Eggleston / Screenplay Everett de Roche / Dir. of Photography Vincent Monton / Music Michael Carlos / Editor Brian Kavanagh / Producer Colin Eggleston, Richard Brennan / Production Dugong Films, Victorian Film / Cast John Hargreaves, Briony Behets, Mike McEwen / Contact National Film and Sound Archive, Richard Brennan

About the director


Colin Eggleston (b. 1941, Melbourne, Australia-2002, Geneva, Switzerland) began as an editor in England, work he continued in Australia. He started out as a director of TV series for Crawford Productions, then debuted in features with a sequel to the ribald comedy about women’s sexuality, Fantasm Comes Again (1977). A year later he shot his climactic work, the renowned horror film Long Weekend. In the 1980s, he directed a number of horror films but they met with little success. Among titles such as The Little Feller (1982), Innocent Prey (1984) and Outback Vampires (1987), two others might be called stand-outs: Cassandra (1986), about a girl who envisions her brother committing murder, and the sci-fi adventure Sky Pirates (1985).

Contacts

National Film and Sound Archive
McCoy Circuit, Acton, 2601, Canberra
Australia
E-mail: [email protected]

Richard Brennan
, , Sydney
Australia
E-mail: [email protected]

Guests

Richard Brennan
Producer

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