Nikola is a man who knows how to really enjoy life; he’s even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn’t have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it’s more premeditated than spontaneous? This tragicomic drama set in contemporary Zagreb sees the steady transformation of gratification and companionship into scorn and loneliness. The protagonists start out as likeable characters, but become increasingly less appealing; even so, the film doesn’t incite unequivocal derision. None of the male heroes has enough of a clean slate to be appointed a moral authority. Nor have the female characters, who’d be better off living without men – but they’d have to stop throwing themselves at them. However comic and light-hearted this mosaic of relationships appears to be, it also leaves behind a bitter taste as the film gradually exposes the emptiness which surrounds the characters outside of their romantic exploits.