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Film Archive

The Girl

Another View 2001 / Ek je aachhe kanya / India 2000

Synopsis

Subrata Sen (b. 1963, Calcutta) graduated in physics from Presidency College, but is a journalist by profession. He got into film working as a political correspondent, though his initial contact came through Satyajit Raj, a director who worked as an editor on the children’s magazine for which Sen started writing as a boy. He is a writer (with a novel and many stories to his credit, a selection of which came out in an English edition in 1998) but works mainly editing an online magazine located in Calcutta. The low-budget film The Girl (Ek je Aache Kanya, 2000) is Sen’s directing debut and was awarded last year’s Srinivas National Award – an Indian prize given to the best domestic directorial debut.

About the film

123 min / Black & white, 35 mm

Director Subrata Sen / Screenplay Subrata Sen / Dir. of Photography Sirsa Ray / Music Debjyoti Mishra / Editor Rabiranjan Maitra / Producer Sandeep Sen / Production Deep Films / Cast Sabyasachi Chakraborty, Debashree Roy, Konkona Sensharma, Mithu Chakraborty, Sougata Sarkar, Arjun Chakraborty

About the director


Anjan works in advertising and has recently rented a room in a house in the suburbs of Calcutta. Eighteen-year-old Ria, who lives there with her grandfather, falls in love with the new tenant. But Anjan already has a long-time girlfriend, Rupa, who works with him in advertising. The rejected girl in vain tries to win Anjan’s favour. When she sees that her efforts are futile she starts to make trouble for the couple. At first her mischief is only minor, but it is followed by more serious threats to Anjan’s advertising project. And when the couple announce their engagement the girl becomes so enraged that she tries to kill them. A year later Ria is released from a mental institution because the doctors believe her to be stable. Anjan and Rupa are married and have moved away. But a new tenant has moved into grandfather’s house. . . . This stylistically refined drama is reminiscent of the films of Pedro Almodóvar. At the same time it candidly reflects the cultural degradation of the metropolitan environment, of traditional interpersonal relationships, and points to the rising crime rate among young people.

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