After a chance brawl and an unintentional murder, Sung Bin spends seven years in prison. Outside its walls walk both the dead man’s spirit and the one actually responsible for the fatal incident, Suk Hwan – Sung Bin’s onetime schoolmate and best friend, today a policeman. Faced with the bloody spectre, mistrusted by those around him, and hassled by the police, Sung Bin has only one alternative left him after being released: to go to work for Tae Hoon and become a professional criminal. The circle of violence swallows up Suk Hwan’s younger brother and he, as a member of Sung Bin’s gang, finds himself tempting death. At this point a struggle between the two main protagonists is inevitable. The theme of guilt and fateful conflict between two friends, a clash between gang ethics and family ties – all is reminiscent of a John Woo film, while the director himself feels indebted to Quentin Tarantino. His movie, however, has a completely original composition created out of four parts, each with its own character: from horror through dramatic documentary to dazzling displays of street martial arts.