Another visit to an abandoned house in which glimmers of light on layers of dust randomly illuminate the surviving traces of former human lives. In contrast to Rivers’ other works, the movie doesn’t inspire an investigation into the history of the structure and its inhabitants, crafting instead a generally applicable and powerful mood of decay and finality, which it observes with detachment and even respect. The film’s atmosphere has much in common with early, purely genre cinema, as reflected in spiritist moments in which a candle floats through the room.