Archive of films Obsessive Rhythms / Cadences obstinées
France / Portugal
2013, 97 min
Section:
Special Events
Year: 2014
Fanny Ardant, celebrated muse of François Truffaut and other distinguished filmmakers, was inspired as director by the kind of female character she herself has frequently portrayed. Protagonist Margo gave up her career for the sake of her husband and now feels aggrieved and abandoned. Ardant entrusted the female lead to Asia Argento, whom she invests with a fiery passion and almost hysterical vulnerability, thus setting the tempo of this remarkable film.
Synopsis
Architect Furio is offered an attractive commission: to turn an old mansion into a hotel. His devotion to his work affects his relationship with his wife, who gave up her career as a successful cellist for his sake and now feels abandoned. The passionate and explosive Margo shares traits with the women Fanny Ardant has portrayed on numerous occasions over the course of her career. She entrusted the role of Margo to the physically- similar Asia Argento, giving the part the vulnerability (bordering on hysteria) of women who blindly surrender to their men: such women are prepared to sacrifice everything for love, and then despise themselves for being so weak. The atmosphere of the individual scenes, progressing from exalted drama to scathing irony, can scarcely be gauged in terms of realism. Everything is here shifted beyond reality: the bizarre setting of the unfinished building with its windswept rooms, the music, occasionally the unsettling, stifling interiors, the theatrical gestures of the characters – everything is subordinate to the rhythm the screenwriter and director adopted for this, her third film.
About the director
Fanny Ardant studied political science and began her stage and film acting career in the 1970s. She masterfully carried off her trademark roles of fated women in films by eminent world directors: Truffaut (The Woman Next Door, 1981; Confidentially Yours, 1983), Resnais (Life Is a Bed of Roses, 1983; Love Unto Death, 1984; Mélo, 1986), Delvaux (Benvenuta, 1984), Schlöndorff (Swann in Love, 1983), Scola (The Family, 1986; The Dinner, 1998), and Antonioni (Beyond the Clouds, 1995). Recently, she has appeared in the films of Paolo Sorrentino Il Divo (2008) and The Great Beauty (2013). As director she made the short film Absent Dreams (2010) and two feature titles – her adaptation of a work by Ismail Kadare Ashes and Blood (2009) and the film Obsessive Rhythms (2013), which she also wrote.
Contacts
Alfama Films
78, rue du Turbigo, 75003, Paris
France
Tel: +33 142 010 705
Fax: +33 142 010 830
E-mail: [email protected]
www: www.alfamafilms.com
About the film
Color, DCP
Section: | Special Events |
---|---|
Director: | Fanny Ardant |
Screenplay: | Fanny Ardant |
Dir. of Photography: | André Szankowski |
Music: | Jean-Michel Bernard |
Editor: | Julia Gregory |
Producer: | Paulo Branco |
Production: | Alfama Films |
Coproduction: | France 3 cinéma, Leopardo Filmes |
Cast: | Asia Argento, Nuno Lopes, Ricardo Pereira, Gérard Depardieu, Franco Nero |
Contact: | Alfama Films |
www: | www.cadencesobstinees-lefilm.com |
Guests
Fanny Ardant
Film Director
Franco Nero
Actor / Film Director