Rita and Mateo move out of the city and take up residence in Mateo’s late father’s country house in the hope that they will live more healthily and save money. Everything goes well initially, apart from Rita getting a bit touchy when Mateo refuses to take risks during their tempestuous bouts of sex. The lovers settle in and continue the pursuits that interest them: Mateo repairs old cars and Rita works long-distance as a designer. A visit from Mateo’s cousin and her young daughter and boyfriend takes Rita by surprise; the woman is pretty open about her past relations with Mateo, and she asks Rita some intrusive questions. The harmony between the couple begins to fragment: Rita isn’t able to suppress her fits of jealousy and both partners feel misunderstood. Rita’s mother and grandmother also pay a visit, but the couple can’t regain their sense of cohesion. What’s more, boredom starts to creep into their relationship as well. Elisa Miller projects the sentiments of her generation into her second feature film, reflecting their notions of a new kind of relationship which is unable to liberate itself from traditional models.