The path we all have to travel in order to reach maturity and to reconcile ourselves with all aspects of life, including the death of those closest to us, can take many forms. Very few, however, are as absurd as the odyssey undertaken by 16-year-old Juan the moment he crashes the clapped-out family car in the middle of the Yucatan wilderness. He goes off in search of the necessary spare part and comes across increasingly more bizarre figures along the way: the taciturn car mechanic who almost implausibly resembles his dog, the punk girl who runs a delapidated car repair shop, and “The One Who Knows”, a teen mechanic who is more familiar with kung-fu films than with car engines. The surreal two-dimensionality of this film is reminiscent of the poetic style of Aki Kaurismäki and Jim Jarmusch – this is a world full of monosyllables, absurd humour, awkward hesitation and heady melancholy. Fernando Eimbcke’s Lake Tahoe deservedly took away the Alfred Bauer Award for innovation at this year’s Berlinale.