Archive of films Romance for the Bugle / Romance pro křídlovku

Czechoslovakia
1966, 86 min

Section: Seven Close Encounters
Year: 2016

Jan Hřebejk presents

The wistful call of the bugle rises above this lyrical story of first love, which takes hold over the course of a summer and ends with the death of the hero’s grandfather. A sense of anguish marks the boy's coming of age, a formative experience that viewers share as they are swept along by the force of Vávra’s poetic style.


Synopsis

Romance for the Bugle is a world-class film which isn’t familiar to world audiences. I was born in 1967, when it received its premiere. It was made by Otakar Vávra, a mature director surrounded by young colleagues (cinematographer Andrej Barla and costume designer Ester Krumbachová), and it was certainly a match for the best works produced by his pupils – adherents of the Czechoslovak New Wave. It’s pure poetry in a like-minded adaptation of the epic poem by František Hrubín. When I saw the film for the first time, I decided to become a filmmaker.” – Jan Hřebejk. It’s something of a miracle to take black-and-white film and use it to create the warm colours and fragrances of summer – this is the season when young Vojta encounters both love and death in the same moment, both experiences marking him for life. A carefully chosen cast, a language of allusions akin to poetic metaphors, the sun beating down, balmy nights, an exhilarating ride on a swing carousel, and also moments spent in the cottage with grampa, who has his own persistent anxieties – all these are woven into the fabric of a story whose message continues to run deep.

Zdena Škapová

About the director

Otakar Vávra (1911–2011), director and teacher, a legend of Czech film, whose extensive oeuvre spread across five decades. He made a major impact with two features from 1937 (History of Philosophy and Virginity). These works already showed the characteristic traits of what was to come – a preference for high-grade literary models, well-constructed screenplays, a perfectionist’s approach to directing, and collaboration with leading names, often stage actors. He was chiefly disposed towards realistic dramas treating psychological and historical themes, and his films often conveyed his socio-critical and political awareness (Presentiment, Golden Queen, his Hussite trilogy, Witches’ Hammer, The Liberation of Prague). Vávra played a major role in film education, establishing a new concept for FAMU, where he taught a number of principal figures of the New Wave.

Contacts

National Film Archive
Malešická 12, 130 00, Praha 3
Czech Republic
E-mail: nfa@nfa.cz
www: www.nfa.cz

About the film

Black & white, 35 mm

Section: Seven Close Encounters
   
Director: Otakar Vávra
Screenplay: František Hrubín, Otakar Vávra
Dir. of Photography: Andrej Barla
Music: Jiří Srnka
Editor: Antonín Zelenka
Art Director: Karel Škvor, Ester Krumbachová
Producer: Jiří Pokorný
Production: Filmové studio Barrandov
Cast: Jaromír Hanzlík, Július Vašek, Zuzana Cigánová, Štefan Kvietik, Miriam Kantorková, Janusz Strachocki
Sales: National Film Archive

Guests

Tomáš Žůrek

Sales Agent

YouTube

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