British Army sergeant Peter, his American counterpart Bob, and Londoner Alison (who has come to the country as work relief to replace men mobilized for war) are the modern pilgrims of this Chaucer-inspired tale. They head for Powell’s native county of Kent with its majestic Canterbury Cathedral, and experience unforgettable moments of grace. The trio of protagonists become chance participants in the search for a mysterious being who, under the veil of night, pours glue in young women’s hair. Strange events bring the pilgrims close to the local villagers, whose lives are strongly influenced by traditions and spiritual values that they must fight for daily, not just during the war. A Canterbury Tale introduces typical examples of Powell and Pressburger’s unique style, which intermingles documentary-like realism and surreal elements with an emphasis on the mystical aspects of the countryside (with exceptional support from German cameraman Erwin Hillier). Panned by critics upon its release, the movie is now, years later, finally receiving a more just evaluation and is considered one of Powell and Pressburger’s most personal works.