Brothers Nero and Miguel are unaware of each other’s existence; they didn’t even know their father, until he wrote them a letter inviting them to his own funeral. Thus the siblings meet for the very first time at a train station, only to discover that no trains have run through here for years. So they begin their wanderings through the Castillian Meseta, a scorched landscape instilled forever with their father’s stories. As they head for the funeral, their true journey is one that takes them towards each other, drawn from nothing into a strange imaginary world of magical dimensions, a surge of memories, stories and dreams, united by solitude. Through his innovative visual poetry full of absurdity, humour and melancholy, Cenzual Burley proves that poetry is not created in poetic images, but in the way we look at the world. He managed to film his low budget debut with only one camera and a crew of seven. The director’s creed: "If you haven’t got any money, make a film that doesn’t require any. Stories don’t cost anything, so long as you surround yourself with like-minded people who share your enthusiasm.”